Happy Hour 18:00-20:00
1+1 on draft beer and all 5pm-7pm cocktails
Happy Hour 18:00-20:00
1+1 on draft beer and all 5pm-7pm cocktails
Events At Jaffa Cinema
Private screenings, birthdays, weddings, corporate events, and more
Happy Hour 18:00-20:00
1+1 on draft beer and all 5pm-7pm cocktails
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מלאכים בשמי ברלין

130 דקות | וים ונדרס

גרמניה / 1987

סרטו הטוב ביותר של וים ונדרס מתאר את קורותיהם של שני מלאכים המסתובבים ברחבי ברלין (החצויה, של סוף שנות השמונים), עד שאחד מהם מתאהב ומחליט להפוך לבן תמותה. זוהי יצירת מופת שמעטות כמוה נוצרו – בטור דה פורס קולנועי, עשר הדקות הראשונות מהממות ממש – מציע ונדרס חוויה אסתטית ורגשית עשירה ומספקת. יש כאן רומנטיקה, פיוט, אמונה ואנושיות שהפכו את הסרט בשעתו ליצירת מפתח שלכדה את המהות האירופאית ערב נפילת חומת ברלין. זו הזדמנות די נדירה לראות שוב על מסך גדול: אל תחמיצו.

21/01, Wednesday 19:00

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The Sword in the Stone - Heb subs

1h 19m | Wolfgang Reitherman

USA / 1963

The legendary tale of a magical golden sword embedded in a massive stone. Whoever rises to the challenge and manages to pull it free will be crowned King of England.

To Wart, an apprentice squire, the task seems utterly impossible. But with the help of Merlin, the most famous and

mysterious wizard of them all, and his feathered companion Archimedes the owl, Wart discovers that even the

most impossible dream can come true.

21/01, Wednesday 20:00

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Buffalo '66

1h 49m | Vincent Gallo

USA / 1998

After serving five years in prison, Billy Brown is released and immediately kidnaps Layla, a shy and insecure young woman, forcing her to pose as his wife in front of his parents.

Billy grew up in a cold, emotionally barren household, with a controlling mother and an indifferent father, and is determined to hide his failure and criminal past from them.

Over the course of a single day in Buffalo, the forced connection between Billy and Layla begins to shift. What starts as a violent and selfish act slowly turns into an emotional journey about loneliness, love, and childhood wounds.

At the same time, Billy is planning revenge against the man he believes is responsible for ruining his life, leading the film toward a tense and unexpected climax.

Written, directed, and starring Vincent Gallo, the film is an intensely personal, almost confessional work.

Gallo adopts a minimalist and deliberately distant style, using extreme close ups, a slow rhythm, and an intentional sense of alienation.

Lance Acord’s cinematography emphasizes cold spaces and a wintry color palette that mirrors the protagonist’s inner state. The eclectic soundtrack, ranging from soul music to classical pieces, creates an emotional dissonance that follows the characters.

Upon its release, the film was controversial, but over time it has become a cult classic, praised for its emotional honesty, dry humor, and unconventional exploration of wounded masculinity and the need for love.

21/01, Wednesday 21:30

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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

1h 35m | Stanley Kubrick

USA \ 1964

An insane American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.

22/01, Thursday 19:00

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Some Notes on the Current Situation - Heb subs

1h 19m | Eran Kolirin

Israel \ 2025

‘Some Notes on the Current Situation’, is a film about space, time, and wars composed of 6 episodes. Each episode sheds light on a different and unique perspective of the existential, human, and spiritual conditions of the present era.

These episodes, though somewhat divorced from reality, come together to form an absurdist footnote to the current events in the known universe

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The Dreamers - Heb subs

1h 55m | Bernardo Bertolucci

UK, France / 2003

Paris, 1968 — against the backdrop of student riots and a cultural revolution. Matthew, an American film student, meets French twins Théo and Isabelle — a captivating, enigmatic brother and sister who share an intimate world of their own, almost detached from reality. The three retreat into their parents’ apartment, drawn into a hypnotic game of identity, desire, and the shifting boundaries of freedom, love, and morality.

24/01, Saturday 19:00

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Ducks, an Urban Legend

1h 44m | Shahar Rozen

Israel / 2025

A dark comedy set in Tel Aviv’s Tikva neighborhood, following people who were born on the “wrong side” of the city. Five characters and three intertwined stories — about a wedding, a pregnancy, and a death —

each leading their protagonists to a moment of grace as they confront childhood traumas in their ongoing struggle to survive.

Yossi desperately wants to marry Chris and pull off a grand wedding, but ultimately loses his wife — the two fighting to hold onto their love.


Asaf, drowning financially, teams up with his girlfriend Anna to taxidermy his dead grandfather in order to withdraw his pension money from the bank.


And Elias, a Christian Palestinian forced to collaborate with the Shin Bet in exchange for a new heart, fights for his life.

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Raging Bull

2h 9m | Martin Scorsese

USA \ 1980

The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.

 

25/01, Sunday 19:00

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There Will Be Blood

2h 38m | Paul Thomas Anderson

USA / 2007

United States, early 20th century.
Daniel Plainview is an oil prospector who devotes his life to an obsessive pursuit of black gold.

We follow him from his early days in the capitalist race to his moments of triumph, as he takes control of vast tracts of land in Northern California on his way to becoming an unrivaled tycoon.

The fifth feature film by Paul Thomas Anderson is a fully realized cinematic epic, demonstrating a sharp and profound command of the language of cinema.

A crucial contribution to the film’s power is the unforgettable performance by Daniel Day-Lewis, which earned him his second Academy Award — a portrayal that embodies American masculinity in its most extreme and ruthless form.

One of the cinematic high points of 2007.

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Somewhere

1h 37m | Sofia Coppola

USA \ 2010

After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.

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Chungking Express - Heb subs

1h 42m | Wong Kar wai

Hong Kong / 1994

Sometimes we all feel the loneliness of the big city. This time, we’re not alone.

Two separate yet parallel stories follow two young policemen in Hong Kong, each grappling with lost love and isolation in a sprawling, colorful, and alienating city. Editor’s Pick 🙂

Cop 223 – recently dumped by his girlfriend, he clings to memory through cans of expired pineapple. One night, he encounters a mysterious woman in a blonde wig and trench coat (Brigitte Lin), who’s entangled in the world of smuggling and crime.

Cop 663 – heartbroken after a breakup with a flight attendant. A quirky snack-bar worker (Faye Wong) falls for him in secret, sneaks into his apartment, and begins altering small details—until she slowly awakens him to new life.

A dazzling mix of pop, surrealism, and romance. Rapid cuts and slow motion, neon lights, bold colors, and a restless handheld camera create the sensation of drifting through a dream. With “California Dreamin’” looping again and again, this stylish, poetic film captivated audiences worldwide—and was championed by Quentin Tarantino, who brought it to American screens.

26/01, Monday 19:00

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Inside Llewyn Davis

1h 45m | Joel Coen & Ethan Coen

USA / 2013

The Coen Brothers take an unlucky folk singer, pair him with a ginger cat, and send them on a road trip across America. What at first seems like a small story about failure unfolds into a delicate and profound film — rich with emotion, irony, and sharp cinematic style.

Llewyn Davis, a struggling folk musician, tries to find his way through the Greenwich Village music scene in New York, 1961. After the breakup of the duo he once performed in, Llewyn drifts between friends’ couches, searching for gigs, caught between the dream of success and the harsh reality of loneliness, poverty, and a world that doesn’t recognize his talent.

Unlike most musical films, all of Oscar Isaac’s performances — and those of the other actors — were recorded live on set, with no studio overdubs.

Three different cats were used in the film, each chosen for its temperament: one for running, one for carrying, and one for calm scenes. The Coen Brothers joked that the cat was “the hardest actor to direct.”

26/01, Monday 20:00

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Lost in Translation

1h 42m | Sofia Coppola

USA \ 2003

A faded movie star and a neglected young woman form an unlikely bond after crossing paths in Tokyo.

26/01, Monday 20:00

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Sorry, Baby

1h 43m | Eva Victor

USA \ 2025

The impressive feature debut of comedian Eva Victor, which premiered at the Sundance Film Festival and won the award for Best Screenplay.

A smart, sharp, and funny comedy-drama that instantly became a buzz title, earned glowing reviews, and went on to screen at leading film festivals around the world.

Something bad happened to Agnes.
But life goes on — or at least, that’s how it seems to everyone around her.

When her close friend from school comes to visit, somewhere between shared laughter and heavy silences, Agnes remembers, understands, and tries to find her own way forward.

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Good Will Hunting

2h 6m | Gus Van Sant

USA / 1997

Even from a distance of nearly three decades, this film continues to resonate deeply and touch the heart.

Will Hunting, a young Bostonian working as a janitor at MIT, spends his days drifting around with his friends, drinking excessively, and repeatedly getting into trouble with the law.
Yet behind the tough, aimless exterior hides a brilliant mind — a mathematical genius who effortlessly solves an exceptionally complex problem.

The professor who discovers his extraordinary talent can hardly believe his eyes and does everything he can to tame the wild prodigy. To that end, he enlists a melancholic psychologist, a quiet man still consumed by grief over the loss of his wife.

Matt Damon and Ben Affleck, then two young actors at the beginning of their careers, wrote an emotionally effective screenplay about success, identity, and happiness on the margins of the American suburbs, and cast themselves in the leading roles.

Gus Van Sant, at the time an acclaimed indie filmmaker, infused the film with sensitivity and restraint through suggestive cinematography and understated direction.

Above all, it is the unforgettable presence of Robin Williams that draws us into the film’s emotional core — allowing us to smile, be moved, and shed a tear.

27/01, Tuesday 20:00

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Vagabond - HEB SUBS

1h 45m | Agnès Varda

France \ 1985

A young woman’s body is found frozen in a ditch. Through flashbacks and interviews, we see the events that led to her inevitable death.

27/01, Tuesday 21:30

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Paris Is Burning - Eng subs

1h 18m | Jennie Livingston

USA / 1990

Film in English with English subtitles.

Slip on your heels, grab a martini, and vogue your way into the theater — Paris Is Burning is nothing short of a cultural landmark.
This groundbreaking documentary didn’t just coin iconic terms (Madonna took notes), it redefined the visibility of queer life and shaped pop culture as we know it.

Step inside New York’s Ball Culture of the 1980s — dazzling competitions where African-American and Latinx LGBTQ communities created their own families (Houses), their own rules, and their own stages of fashion, dance, and voguing.

Director Jennie Livingston, then a young filmmaker in New York, began with the idea of a short on voguing. Seven years later, after gaining the community’s trust, she delivered a feature that remains one of the most powerful portraits of creativity, survival, and self-expression ever put on film.

28/01, Wednesday 19:00

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Who wants to ridw on a camel at Jaffa cinema? - Live show

2h | Ariel Bronz

The land of Israel is the pearl of the Levant: a steaming hummus swamp; sea on one side, orchards on the other, and in between dunes and camels.
The show rides the imagery of Zionism, bourgeois comfort,

and the boredom of the bohemian class, accompanied by live electronic music and disguised as a wild party in a dark bar.

“The character appears and disappears, wandering among the audience, teasing them, then retreating inward.
She creates a scenario in which racism, sexism, and homophobia become politically correct.
A clandestine cult-like atmosphere emerges, where part of the audience becomes complicit and others fall into it by accident.
It builds a sharp sense of danger, where boundaries dissolve and someone might truly get hurt.”

Lia Maoz Bergman, audience member

The Camel: Ariel Bronz
Music: Daniel Mioni, Yonatan Giron, Yam Ashkenazi

28/01, Wednesday 21:00

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An Electric Blanket Named Moshe

1h 30m | Assi Dayan

31/01, Saturday 19:00

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Already members?

 6 tickets – 185₪
10 tickets  –  275₪

students / retirees:

7 tickets  for only ₪ 185 

* student / retiree members with the presentation of an appropriate certificate.
*You can use up to 2 tickets per visit.
*The membership is up to six months from the date of purchase.