Happy Hour 18:00-20:00
1+1 on draft beer and all 5pm-7pm cocktails
Happy Hour 18:00-20:00
1+1 on draft beer and all 5pm-7pm cocktails
Events At Jaffa Cinema
Private screenings, birthdays, weddings, corporate events, and more
Happy Hour 18:00-20:00
1+1 on draft beer and all 5pm-7pm cocktails
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Paris Is Burning - Eng subs

1h 18m | Jennie Livingston

USA / 1990

Film in English with English subtitles.

Slip on your heels, grab a martini, and vogue your way into the theater — Paris Is Burning is nothing short of a cultural landmark.
This groundbreaking documentary didn’t just coin iconic terms (Madonna took notes), it redefined the visibility of queer life and shaped pop culture as we know it.

Step inside New York’s Ball Culture of the 1980s — dazzling competitions where African-American and Latinx LGBTQ communities created their own families (Houses), their own rules, and their own stages of fashion, dance, and voguing.

Director Jennie Livingston, then a young filmmaker in New York, began with the idea of a short on voguing. Seven years later, after gaining the community’s trust, she delivered a feature that remains one of the most powerful portraits of creativity, survival, and self-expression ever put on film.

28/01, Wednesday 19:00

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Who wants to ridw on a camel at Jaffa cinema? - Live show

2h | Ariel Bronz

The land of Israel is the pearl of the Levant: a steaming hummus swamp; sea on one side, orchards on the other, and in between dunes and camels.
The show rides the imagery of Zionism, bourgeois comfort,

and the boredom of the bohemian class, accompanied by live electronic music and disguised as a wild party in a dark bar.

“The character appears and disappears, wandering among the audience, teasing them, then retreating inward.
She creates a scenario in which racism, sexism, and homophobia become politically correct.
A clandestine cult-like atmosphere emerges, where part of the audience becomes complicit and others fall into it by accident.
It builds a sharp sense of danger, where boundaries dissolve and someone might truly get hurt.”

Lia Maoz Bergman, audience member

The Camel: Ariel Bronz
Music: Daniel Mioni, Yonatan Giron, Yam Ashkenazi

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Eternal Sunshine of the Spotless Mind

1h 48m | Michel Gondry

USA \ 2004

When their relationship turns sour, a couple undergoes a medical procedure to have each other erased from their memories forever.

28/01, Wednesday 21:30

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Sorry, Baby

1h 43m | Eva Victor

USA \ 2025

The impressive feature debut of comedian Eva Victor, which premiered at the Sundance Film Festival and won the award for Best Screenplay.

A smart, sharp, and funny comedy-drama that instantly became a buzz title, earned glowing reviews, and went on to screen at leading film festivals around the world.

Something bad happened to Agnes.
But life goes on — or at least, that’s how it seems to everyone around her.

When her close friend from school comes to visit, somewhere between shared laughter and heavy silences, Agnes remembers, understands, and tries to find her own way forward.

29/01, Thursday 19:00

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Lost in Translation

1h 42m | Sofia Coppola

USA \ 2003

A faded movie star and a neglected young woman form an unlikely bond after crossing paths in Tokyo.

29/01, Thursday 19:00

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Some Notes on the Current Situation - Heb subs

1h 19m | Eran Kolirin

Israel \ 2025

‘Some Notes on the Current Situation’, is a film about space, time, and wars composed of 6 episodes. Each episode sheds light on a different and unique perspective of the existential, human, and spiritual conditions of the present era.

These episodes, though somewhat divorced from reality, come together to form an absurdist footnote to the current events in the known universe

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Women on the Verge of a Nervous Breakdown - Heb subs

1h 28m | Pedro Almodóvar

Spain / 1988

Almodóvar once again entangles his characters in acrobatic twists of plot, desire, and dark humor.

At the center of the film is a woman who plans to end her life after being abandoned by her lover — but her suicidal intentions are forced to wait.

A knock at the door interrupts her plans: a friend seeking refuge for her terrorist boyfriend. Soon after, the lover’s young son arrives, followed by his wife sipping a deadly drink, the police — and a cascade of further surprises.

What unfolds is a dizzying dance of emotional and comic chaos.

Nominated for the Academy Award, BAFTA, and Golden Globe for Best Foreign Language Film, and a winner of major awards at the Venice and Toronto film festivals, as well as multiple Goya Awards and critics’ prizes.

31/01, Saturday 19:00

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There Will Be Blood

2h 38m | Paul Thomas Anderson

USA / 2007

United States, early 20th century.
Daniel Plainview is an oil prospector who devotes his life to an obsessive pursuit of black gold.

We follow him from his early days in the capitalist race to his moments of triumph, as he takes control of vast tracts of land in Northern California on his way to becoming an unrivaled tycoon.

The fifth feature film by Paul Thomas Anderson is a fully realized cinematic epic, demonstrating a sharp and profound command of the language of cinema.

A crucial contribution to the film’s power is the unforgettable performance by Daniel Day-Lewis, which earned him his second Academy Award — a portrayal that embodies American masculinity in its most extreme and ruthless form.

One of the cinematic high points of 2007.

31/01, Saturday 20:00

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Ducks, an Urban Legend

1h 44m | Shahar Rozen

Israel / 2025

A dark comedy set in Tel Aviv’s Tikva neighborhood, following people who were born on the “wrong side” of the city. Five characters and three intertwined stories — about a wedding, a pregnancy, and a death —

each leading their protagonists to a moment of grace as they confront childhood traumas in their ongoing struggle to survive.

Yossi desperately wants to marry Chris and pull off a grand wedding, but ultimately loses his wife — the two fighting to hold onto their love.


Asaf, drowning financially, teams up with his girlfriend Anna to taxidermy his dead grandfather in order to withdraw his pension money from the bank.


And Elias, a Christian Palestinian forced to collaborate with the Shin Bet in exchange for a new heart, fights for his life.

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Mid90s

1h 25m | Jonah Hill

USA / 2018

Acclaimed actor Jonah Hill makes his directorial debut with this beautifully observed film, set in the heart of the 1990s and focused on the skateboarding scene of Los Angeles.

At the center of the story is Stevie, a 13-year-old boy growing up with an emotionally distant mother and an unbearable older brother.

His life begins to change when he becomes involved with an older group of skaters, discovering skateboarding, friendship, and the raw energy of urban street culture.

Shot gorgeously on 16mm film and guided by sensitive direction, Hill crafts a moving coming-of-age journey about a young boy in search of identity, constantly testing his social boundaries, while meticulously recreating the spirit of the era through a rich soundtrack featuring original music by Trent Reznor and Atticus Ross alongside tracks by Nirvana, Seal, Cypress Hill, and many others.

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The King of Comedy

1h 49m | Martin Scorsese

USA / 1982

“Who among us hasn’t been a little (or more than a little…) obsessed with someone we idolize?”

This film is a must-see for anyone who can’t let go until they get what they want – even when the odds are stacked against them.

A frustrated, unsuccessful comedian dreams of making it big. When faced with repeated rejection from the famous host he idolizes, he teams up with another obsessive fan and resorts to kidnapping in a desperate attempt to steal his moment in the spotlight.

One of the lesser-known and commercially underappreciated collaborations between Scorsese and De Niro.

And yet, pure brilliance in its portrait of a dreamer — constantly shifting between moments of touching vulnerability and behavior that is pitiful, delusional, and socially rejected.

01/02, Sunday 21:30

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Water Lilies - Heb subs

1h 25m | Céline Sciamma

France / 2007

Céline Sciamma’s debut film, released in 2007, marks an early and striking declaration of her distinctive cinematic voice.

Set in a French suburb over the course of one summer, the film unfolds around a public swimming pool and a group of girls training in synchronized swimming.

At its center is Marie, a shy and reserved teenager who watches from the sidelines and falls in love with Floriane, a charismatic and beautiful swimmer.

Between them develops a delicate relationship shaped by glances, jealousy, curiosity, and confusion, alongside a third figure, Anne, an outgoing friend trying to understand what it means to be desired.

Sciamma approaches female adolescence not as a grand romantic or dramatic narrative, but as a state of mind: small moments, silences, awkwardness, ambiguous attraction, and the gap between what is felt and what one dares to express.

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Romeo + Juliet

2h | Baz Luhrmann

United States / 1996

Baz Luhrmann adapts Shakespeare’s classic play and relocates it from Verona, Italy to the vibrant Verona Beach in California. Two rival families rule the city, the Capulets and the Montagues. Romeo, a Montague, meets Juliet, a Capulet, at a party, and the two fall hopelessly in love.

When their families reject the relationship with disgust, the young lovers are forced to continue their romance in secret, and the tragic ending soon follows.

In the mid-1990s, Romeo and Juliet was seen as the height of the MTV era a sleek, energetic and wild style of filmmaking that delivered emotion through electric editing and a powerful soundtrack. More than two decades later, it remains a dazzling, imaginative adaptation that continues to captivate.

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Queer

2h 17m | Luca Guadagnino

USA, Italy / 2024

Set in Mexico City in the early 1950s, within an expatriate American community that is alienated and steeped in alcohol.

At the center of the film is Lee, a lonely American intellectual and alcoholic living on the margins, who develops an emotional obsession with Eugene, a young, beautiful, and enigmatic student.

Their relationship is charged and at times one-sided, driven more by desire, dependency, and fear of rejection than by fulfilled romance.

The question that accompanies the film is not whether a romance will emerge between them, but whether the feeling of love truly exists at all, or whether it is merely a projection of profound loneliness and a desperate need for connection.

02/02, Monday 21:30

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Blow-Up

1h 51m | Michelangelo Antonioni

England \ 1966

A fashion photographer unknowingly captures a death on film after following two lovers in a park.

 

03/02, Tuesday 19:00

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Yossi & Jagger - Heb subs

1h 7m | Eytan Fox

Israel / 2002

An intimate Israeli drama set at a remote IDF outpost on the Lebanese border.

The film follows Yossi, a withdrawn and reserved officer, and Jagger, a more open and charismatic

commander, who maintain a secret romantic relationship within a rigid, hyper-masculine military

framework. While Jagger longs to live their love openly, Yossi fears exposure and its consequences.

03/02, Tuesday 20:00

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Rear Window

1h 52m | Alfred Hitchcock

USA \ 1954

When a photojournalist confined to his apartment with a broken leg begins to suspect that

,a murder has taken place in the apartment across the courtyard, he is willing to do anything to confirm his suspicions

.even at the risk of those closest to him

On this narrative foundation, Alfred Hitchcock created one of the most brilliant thrillers in the history of cinema.

Yes, it can be read as an allegory for cinematic voyeurism, and yes, it features yet another Hitchcockian protagonist haunted by anxiety toward women. But at the end of the day, it is simply further proof of Hitchcock’s greatness.

The ingenious plot, the superb performances by James Stewart and Grace Kelly, and the virtuoso, self aware use of the camera come together to create a film that is both immensely entertaining and deeply thought provoking.

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The Piano Teacher - Heb subs

2h 11m | Michael Haneke

Austria, France / 2001

Erika Kohut, a piano teacher in her forties, teaches at the Vienna Conservatory and still lives with her domineering mother.

Her tightly controlled life begins to fracture when a young student declares his love for her, unleashing repressed desires and fantasies that lead her into a disturbing journey of control, submission, and humiliation.

Michael Haneke’s provocative film, winner of the Jury Prize and Best Actress at the 2001 Cannes Film Festival, is anchored by Isabelle Huppert’s extraordinary performance and offers a piercing exploration of sexuality, obsession, and power dynamics, walking a fine line between emotion and violence.

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The Florida Project

1h 51m | Sean Baker

USA / 2017

Before Anora, Sean Baker brought us The Florida Project — a vibrant, pastel-colored portrait of life on the margins of Orlando. In a shabby motel near Disney World, six-year-old Moonee spends the summer chasing small adventures with her friends, while her single mother struggles to make ends meet and the motel manager (Willem Dafoe, Oscar-nominated) tries to hold everything together. Tender, funny and heartbreaking, Baker captures both the innocence of childhood and the harshness of reality with rare humanity.

04/02, Wednesday 20:00

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Paradise: Love

2h | Ulrich Seidl

Austria / 2012

The first part of a trilogy by the outstanding Austrian filmmaker. “Sugar mamas” is the term used for middle-aged sex tourists who vacation on the beaches of Kenya and spend time with local beach boys — for a price, of course.

Teresa is a sugar mama who arrives on holiday, looking to buy herself a bit of love. But she soon discovers that although Kenyan men line up to rent out their bodies to her, there is a fundamental difference between sex and love.

Seidl directs a disturbing and compelling film about sexuality in a commercialized world, and about the power dynamics of age and race.

05/02, Thursday 19:00

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Her

2h 6m | Spike Jonze

USA \ 2013

In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.

07/02, Saturday 19:00

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Boogie Nights

2h 35m | Paul Thomas Anderson

USA / 1997

Set in the 1970s, a major porn producer attempts to turn his business into art when he discovers a young, raw talent.


An innocent young man rises to stardom in California’s adult film industry,

where success brings money, fame, and a wild nightlife – but also addiction, loss of direction, and a painful fall.

07/02, Saturday 20:00

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The Smashing Machine

2h 3m | Benny Safdie

USA / 2025

The film follows the meteoric rise of Mark Kerr, a nearly unbeatable force inside the cage, alongside the intense inner battles that define his life outside it:

addiction to painkillers, crushing psychological pressure, and the impossible expectations of a brutal, unforgiving sports world.

Through his relationships with those around him – most notably a central female figure who tries to save him from himself – the film exposes the painful gap between the image of absolute strength and profound human fragility.

This is an intimate and unsparing portrait of a man who became a symbol, and of the personal cost paid by those expected to remain “unbreakable” at all times.

Starring Dwayne Johnson and Emily Blunt, and directed by Benny Safdie (Uncut Gems), the film tells the story of the one and only mixed martial arts and UFC legend: Mark Kerr.

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Flee

1h 29m | Jonas Poher Rasmussen

Denmark / 2021

After two decades of silence, Amin Nawabi reveals his life story for the first time: his childhood escape from Afghanistan and a harrowing refugee journey marked by fear and loss, culminating in his arrival in Denmark.

Director Jonas Poher Rasmussen, his close friend, chooses to tell the story through striking animation and a deeply moving score.

A powerful and emotional animated documentary about trauma, identity, and the creation of a new home – an unprecedented cinematic achievement that received widespread international acclaim.

Winner – Grand Jury Prize, Sundance Film Festival 2021
Nominated for 3 Academy Awards 2022: Best International Feature Film, Best Documentary Feature, and Best Animated Feature

09/02, Monday 19:00

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Chungking Express - Heb subs

1h 42m | Wong Kar wai

Hong Kong / 1994

Sometimes we all feel the loneliness of the big city. This time, we’re not alone.

Two separate yet parallel stories follow two young policemen in Hong Kong, each grappling with lost love and isolation in a sprawling, colorful, and alienating city. Editor’s Pick 🙂

Cop 223 – recently dumped by his girlfriend, he clings to memory through cans of expired pineapple. One night, he encounters a mysterious woman in a blonde wig and trench coat (Brigitte Lin), who’s entangled in the world of smuggling and crime.

Cop 663 – heartbroken after a breakup with a flight attendant. A quirky snack-bar worker (Faye Wong) falls for him in secret, sneaks into his apartment, and begins altering small details—until she slowly awakens him to new life.

A dazzling mix of pop, surrealism, and romance. Rapid cuts and slow motion, neon lights, bold colors, and a restless handheld camera create the sensation of drifting through a dream. With “California Dreamin’” looping again and again, this stylish, poetic film captivated audiences worldwide—and was championed by Quentin Tarantino, who brought it to American screens.

09/02, Monday 21:30

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Paprika - Heb subs

1h 30m | Satoshi Kon

Japan / 2006

A psycho-philosophical anime — essentially a dream about dreams.

Imagine a device that lets you step directly into people’s dreams: to see them, experience them, even alter them. That’s exactly what the DC Mini does. But when the invention is stolen, the boundary between dream and reality begins to crumble, leading to a wild, colorful journey filled with imagination.

Enter Paprika — the dream alter ego of Dr. Chiba — a playful, wise, and enchanting heroine who must stop the chaos.

Director Satoshi Kon uses animation to create limitless visual sequences: flowing imagery, leaps between worlds, and the total dissolution of reality — things live action could never fully capture.


 

11/02, Wednesday 21:30

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In the mood for love - Heb subs

1h 38m | Wong kar - wai

Hong Kong / 2000

We love Wong Kar-wai, and we love stories about unfulfilled desire.

In early 1960s Hong Kong, Chow and Mrs. Chan move into a crowded apartment building. Over time, they discover that their spouses are having an affair. Out of this pain grows a fragile, delicate bond, filled with longing and a quiet human warmth that struggles to break free.

Wong Kar-wai has a gift for turning everyday moments into cinematic poetry. A fleeting glance in the hallway, a late-night bowl of noodles, a suit changed from one day to the next—all become vessels for expressing the inner worlds of his characters and their wounded hearts. The result is a mesmerizing, sensual, and deeply moving film that lingers long after the screen fades to black.

14/02, Saturday 19:00

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Pierrot le fou - HEB SUBS

1h 50m | Jean-Luc Godard

France \ 1965

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

14/02, Saturday 20:00

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 6 tickets – 185₪
10 tickets  –  275₪

students / retirees:

7 tickets  for only ₪ 185 

* student / retiree members with the presentation of an appropriate certificate.
*You can use up to 2 tickets per visit.
*The membership is up to six months from the date of purchase.