USA \ 2019

In 19th century Massachusetts, the March sisters–Meg, Jo, Beth, and Amy

on the threshold of womanhood, go through many ups and downs in life and endeavor to make important decisions about their futures.

France \ 1964

A young woman separated from her lover by war faces a life-altering decision

Israel \ 2025 \ Hebrew, Hebrew & English subtitles

At the age of 30, Ella receives a mysterious suitcase with home tapes from the 1990s, which have been kept secret to this day, from the life of her mother, singer Dafna Armony. This happens while Ella is helping her mother pack up and move – another move from a chain of moves forced upon her due to a complex economic reality. Through the videotapes from the past, Ella discovers that behind her mother’s iconic figure hides a personal and painful story. For the first time, she is also exposed to the identity of her father – a mysterious figure around whom rumors have hovered throughout her life. It is a family portrait of two women who merge into one: the mother, a former legend, and the daughter, a filmmaker.

United Kingdom France / 1989

The thief and his wife dine regularly at the restaurant of a taciturn cook.

One evening the first of ten that structure the film she is drawn to a modest and reserved man the complete opposite of her husband’s coarse and violent nature.

The two consummate their desire in the restaurant restroom but the affair is bound to be discovered. The husband sets out on a brutal path of revenge against the cook while the woman’s own revenge will be cold calculated and deadly.

Peter Greenaway’s astonishing film is a total assault on the senses and the mind a hypnotic succession of colorful grotesque and sensual tableaux that overwhelm the eye unsettle the thoughts and linger long in the heart.

USA \ 1990

An eight-year-old troublemaker, mistakenly left home alone, must defend his home against a pair of burglars on Christmas Eve.

Israel \ 2025

‘Some Notes on the Current Situation’, is a film about space, time, and wars composed of 6 episodes. Each episode sheds light on a different and unique perspective of the existential, human, and spiritual conditions of the present era.

These episodes, though somewhat divorced from reality, come together to form an absurdist footnote to the current events in the known universe

USA / 2006

Set in a near future where humanity has lost the ability to reproduce and society collapses into violence and fear.

A cynical, disillusioned man is forced to protect a young woman who represents the last hope for humankind, guiding her on a dangerous journey to safety.

The film is a bleak yet intimate thriller about moral responsibility and the possibility of hope in a world without a future.

Alfonso Cuarón constructs a future that looks almost identical to our present, avoiding flashy effects or heavy exposition, so the dread emerges from unsettling familiarity rather than far-fetched imagination.

True to his style, the film’s long, nearly unbroken takes blur the line between action and realism, creating a powerful sense of physical, immediate presence inside a collapsing world.

USA / 1998

After serving five years in prison, Billy Brown is released and immediately kidnaps Layla, a shy and insecure young woman, forcing her to pose as his wife in front of his parents.

Billy grew up in a cold, emotionally barren household, with a controlling mother and an indifferent father, and is determined to hide his failure and criminal past from them.

Over the course of a single day in Buffalo, the forced connection between Billy and Layla begins to shift. What starts as a violent and selfish act slowly turns into an emotional journey about loneliness, love, and childhood wounds.

At the same time, Billy is planning revenge against the man he believes is responsible for ruining his life, leading the film toward a tense and unexpected climax.

Written, directed, and starring Vincent Gallo, the film is an intensely personal, almost confessional work.

Gallo adopts a minimalist and deliberately distant style, using extreme close ups, a slow rhythm, and an intentional sense of alienation.

Lance Acord’s cinematography emphasizes cold spaces and a wintry color palette that mirrors the protagonist’s inner state. The eclectic soundtrack, ranging from soul music to classical pieces, creates an emotional dissonance that follows the characters.

Upon its release, the film was controversial, but over time it has become a cult classic, praised for its emotional honesty, dry humor, and unconventional exploration of wounded masculinity and the need for love.

Israel / 1974

A married man and father, a successful basketball coach, is drawn into an affair with a young woman while trying to juggle family life, career, and uncontrollable desire.

As the film unfolds, the gap between his public image and his inner emptiness and confusion is gradually exposed.

This is a sharp and painful film by Uri Zohar about masculinity, guilt, and the search for meaning, widely regarded as one of the most important and daring works in Israeli cinema.

An especially compelling aspect of the making of Big Eyes is how closely it mirrored Zohar’s own life. While working on the film, he was at the height of his public success yet in the midst of a deep personal crisis, and the film became a kind of merciless cinematic confession.

Many saw the protagonist as a transparent alter ego of Zohar himself, and the film’s raw emotional exposure caused a public stir upon its release.

In retrospect, Big Eyes is often seen as foreshadowing the dramatic turning point in Zohar’s life, just a few years

before he left the world of cinema and entertainment altogether.

England \ 1966

A fashion photographer unknowingly captures a death on film after following two lovers in a park.

1984 \ Germany, France, England, USA

Travis Henderson, an aimless drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life, and his family.

The land of Israel is the pearl of the Levant: a steaming hummus swamp; sea on one side, orchards on the other, and in between dunes and camels.
The show rides the imagery of Zionism, bourgeois comfort,

and the boredom of the bohemian class, accompanied by live electronic music and disguised as a wild party in a dark bar.

“The character appears and disappears, wandering among the audience, teasing them, then retreating inward.
She creates a scenario in which racism, sexism, and homophobia become politically correct.
A clandestine cult-like atmosphere emerges, where part of the audience becomes complicit and others fall into it by accident.
It builds a sharp sense of danger, where boundaries dissolve and someone might truly get hurt.”
— Lia Maoz Bergman, audience member

The Camel: Ariel Bronz
Music: Daniel Mioni, Yonatan Giron, Yam Ashkenazi