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Perfect Days

2h 4m | Wim Wenders

Japan \ 2023

12,14 – *English subtitles*

Hirayama cleans public toilets in Tokyo, lives his life in simplicity and daily tranquility. Some encounters also lead him to reflect on himself.

 

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Come Closer

1h 47m | Tom Nesher

Israel \ 2024

When Eden’s brother tragically dies, her grief spirals into obsession after discovering his secret girlfriend. A haunting exploration of love, loss and fixation with stunning visuals.

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The Big Lebowski

1h 57m | Joel Coen, Ethan Coen

USA / 1998

Jeff “The Dude” Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

14/12, Saturday 20:30

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Happiness

2h 14m | Todd Solondz

USA \ 1998

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

14/12, Saturday 21:30

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מלאכים בשמי ברלין

130 דקות | וים ונדרס

גרמניה / 1987

סרטו הטוב ביותר של וים ונדרס מתאר את קורותיהם של שני מלאכים המסתובבים ברחבי ברלין (החצויה, של סוף שנות השמונים), עד שאחד מהם מתאהב ומחליט להפוך לבן תמותה. זוהי יצירת מופת שמעטות כמוה נוצרו – בטור דה פורס קולנועי, עשר הדקות הראשונות מהממות ממש – מציע ונדרס חוויה אסתטית ורגשית עשירה ומספקת. יש כאן רומנטיקה, פיוט, אמונה ואנושיות שהפכו את הסרט בשעתו ליצירת מפתח שלכדה את המהות האירופאית ערב נפילת חומת ברלין. זו הזדמנות די נדירה לראות שוב על מסך גדול: אל תחמיצו.

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The Discreet Charm of the Bourgeoisie

1h 45m | Luis Buñuel

France \ 1972

Buñuel’s funniest film is about three bourgeois couples and their failed attempts to dine together. As in several of Buñuel’s works, the plot seems to move on a realistic path, but gradually, in the same loose and uncomplicated cinematic style, twists and upheavals are added to it that gives the film a surreal wit and social critique.

The 4K restoration was produced by STUDIOCANAL in 2022 with the support of the CNC (Centre National du Cinéma et de l’Image Animée). Restoration work was carried out by the L’Image Retrouvée laboratory using elements stored in the French Film Archives. The original 35mm negative was scanned in 4K on Arriscan and, for certain parts of the negative that were too badly damaged, an interpositive was used to optimise the reproduction of the film in its original quality. Scratches, physical deteriorations and dust have been erased frame by frame. The colour grading was done with reference to the original 35mm elements in order to respect the image as supervised by the film’s director of photography Edmond Richard. The soundtrack has been restored from the original mix to recreate a sound consistent with the period.”

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Edward Scissorhands

1h 45m | Tim Burton

USA \ 1991

The solitary life of an artificial man – who was incompletely constructed and has scissors for hands – is upended when he is taken in by a suburban family

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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

1h 35m | Stanley Kubrick

USA \ 1964

An insane American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.

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Cookies For Life

54m | Zohar Wagner

Israel / 2024

English and Hebrew Subs

The story of the hostage Rachel Edri of Ofakim. For 20 hours, Rachel and her husband David were held hostage by five Hamas terrorists, and thanks to Rachel’s cunning, resourcefulness, sense of humor and improvisation skills – they managed to survive. The film includes dramatic reenactments of the events in the house, which has been recreated as an exact replica of the house in Ofakim, with the real Rachel acting as “director” of the scenes. In addition, the film will include exclusive private and police archival materials.

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Joker: Folie à Deux

2h 18m | Todd Phillips

USA / 2024

Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated at Arkham State Hospital.

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Taboo: Amos Guttman

1h 16m | Shauly Melamed

Israel \ 2024

Director Amos Guttman’s life, marred by an untimely death from AIDS at 38, was a ceaseless battle. His mission: pioneering queer films, a response to Israel’s norms, conservatism, and the film industry.

19/12, Thursday 20:30

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Get the land back

1h 22m | Irmy Shik Blum, Elad Orenstein

 Israel / 2024

When Irmy, a soon-to-be-dad comedianhe goes to his own father asking for money, he finds out that his only inheritance is a tiny piece of land in the occupied Palestinian territories. To make things worse, he also finds out that extreme-right-winged Jewish settlers have settled in his land and made a winery out of it. Together with his father, Irmy wages war on the settlers, army, and Israeli government and demands his land back! What begins as a personal quest to recover this contested piece of real estate quickly evolves into a humorous activist adventure that exposes the mechanisms of the occupation.

21/12, Saturday 20:30

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Cinema Esther from the White City Era to the Netflix Generation

1h 5m | Tali Ohaion

Israel / 2024

The story of the establishment, closing, and conversion of the Esther Cinema (1937-1984) in Zina Dizengoff Square, to the Cinema Hotel,  preserves the cinema and the essence of the square, The first cinema in the square, which, upon its opening in 1937, “moved” the Tel Aviv cultural center north, will be a prism for the story of the cinema experience, the nostalgic culture in its emergence, development and decline. From desperate consumption, longing and hunger for magical escapism, to the death of the “cinema experience as a temple”, the Netflix generation is satiated with a home viewing experience.

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7 tickets  for only ₪ 185 

* student / retiree members with the presentation of an appropriate certificate.
*You can use up to 2 tickets per visit.
*The membership is up to six months from the date of purchase.